Blancanieves

At the EbertFest film festival last weekend in Champaign, one of the highlights was Blancanieves -- a fascinating rethinking of the Grimm Brothers' Snow White.  Before the screening, director Pablo Berger told the audience that films were like dreams to him, and nightmares, too.  Berger, who worked on the film for eight years, re-interpreted the famous tale to take place in Spain during the 1920s.  He focused on the parents of Snow White.  The father is a famous bullfighter and the mother is a singer and flamenco dancer.  Their daughter, Snow White, has a rather tragic childhood but emerges triumphant as a bullfighter herself traveling with 6 smaller people she encounters whie escaping her evil step-mother.

The film was shot in black and white and is silent as well, although the beautiful, moody, original score, by Alfonso de Vilallonga, contributes significantly to the story's success.  During the Q and A afterward, Berger and the panelists discussed how contemporary black-and-white films can capitalize on contemporary audiences' ability to quickly comprehend visual cues and quick editing techniques.  Consequently, Berger puts so much to be 'read' visually on screen that the absence of hearing dialogue does distract in Blancanieves.

I was so impressed with the film that I quickly wrote to ask Marvels & Tales if I could review it for the fairy tale journal and just learned that that's going to be possible.  So I'll post more on that later.

Fairy tale films

The films Mirror, Mirror and Snow White and the Huntsman are part of a trend of re-interpreting traditional fairy tales with contemporary twists that move beyond the bouyant Disney versions. Mirror, Mirror, which opens Friday, stars Julia Roberts in a humorous retelling of Snow White.  In a significant contract, the  Huntsman version is much darker, more brooding and somewhat in the trend of Twilight and Hunger Games. Clearly, Red Riding Hood, directed by Catherine Hardwick who directed the first Twilight film, is part of this collection of films as well and Beastly with Vanessa Hudgens. Also released in March, direct to DVD, is Grimm's Snow White. When we saw Hunger Games over the weekend, we saw a previous for Snow White and the Huntsman, but not Mirror, Mirror, which opens sooner. 

As I tell my classes, every generation re-interprets fairy tales.  The wide difference in these two Snow White films suggests the malleability of this classic story.  Disney's version is primarily from the young princess's perspective, but in the two upcoming films, the older Queen has a more prominent role.  I will be interested to see Julia Rogers as the Queen, as she seems to be relishing the role and having fun.  I am not sure how evil she is in her version.  But in the film to be released in June, the older Queen is clearly evil.  Then, too, look at the title of the second film, Snow White and the Huntsman -- the focus is on the relationship between Snow White (played by Kristen Stewart) and the handsome Huntsman out to kill her (Chris Hemsworth). Charlize Theron, who some might say has a history of looking more stunning than Kristen Stewart, plays the Queen.  Theron also has played some roles of gutsy, powerful roles while Stewart seems to be majoring in mumbling, slightly awkward young women.  Hmm, the conflicts arise.

Fairy Tales re-imagined on TV and in books

Mix up traditional fairy tale characters such as Snow White, Prince Charming and Rumplestilskin with literary fairy tale characters such as Pinnochio, the Blue Fairy and perhaps someone from Alice's Adventures in Wonderland with a dose of contemporary fantasy and modern sensibility.  One result is a new television series on Sunday nights on ABC, Once Upon a Time.  This show is for families and fantasy fans while on the darker, flip side fairy tales get the law-and-order, violent treatment with Grimm beginning this Friday night on NBC.

Once Upon a Time intends to draw in readers of Harry Potter as well as the many YA, middle-school and adult books, such as Brandon Mull's Fablehaven series, E. J. Patten's new Return to Exile series, Gail Carson Levine's Ella Enchanted and her subsequent princess books, Shannon Hale's The Princess Academy series, Cressida Cowell's How to Train a Dragon series, the Eoin Colfer's Artemis Fowl series in chapter book and graphic novels, etc.  Combining fairy tales with fantasy and contemporary realism has become a popular story well to mine, accompanied by the elves and dwarves who know the way through the tunnels.Ginnifer Goodwin as Snow White/Sister Mary Margaret

Once Upon a Time stars Ginnifer Goodwin as Snow White and Josh Dallas as Prince Charming who are cursed by a wicked witch played by Lana Parrilla.  The witch's curse seems to be that the characters are transformed into the creepy world of 21st century Storybrook, Maine.

Not that long ago some book publishers, librarians, and adults directing children to books decided that kids did not want to read fairy tales or fantasy.  J.K. Rowlings opened up the floodgates by proving them wrong.  Kids enjoy the excitement, dark turns with usually happy endings, romance, and swashbuckling adventures in these kids of books.  So, it seems that it's about time that television has figured out that a series that interweaves these kinds of tales while still having a PG sensibility might work. 

Obviously, I've just seen one episode and the series is laying the groundwork for the complicated material that is bound to come later.  I do want to point out that there is a significant difference between  traditional fairy tales that the Grimms and others collected and literary fairy tales created by one author, such as Lewis Carroll or L. Frank Baum.  It's just a little unsettling to see the two mixed up so freely here.Josh Dallas as Prince Charming in Once Upon a Time

It's not surprising that Once Upon a Time has roots in the mysterious series Lost; two of that series writers – Adam Horowitz and Edward Kitsis -- are the creators of this show.  They also worked on the tightly crafted Felicity.

"We love the mish-mash,” Kitsis told the Hollywood Reporter last summer about scenes in which Geppetto interacts with Grumpy, etc. Maybe so, but the mish-mash may become a little confusing as viewers make the connection between fairy tale time and contemporary times.  For instance, Snow White becomes the beloved teacher Sister Mary Margaret in Storybrook.  Or remembering Rumplestilskin from the Shrek films and then from fairy tales and then trying to remember exactly why he was bad.

Maybe there's a need for a fairy tale quick guide.