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    Entries in films (5)

    Monday
    Sep012014

    Richard Linklater's film Boyhood an interesting study in kids growing up

    The compelling acting in Richard Linklater's, Boyhood, which follows a family over an arc of 12 years, is what isEllar Coltrane as he ages in Boyhood kept my son and I rivted during the three-hour film. The film is as much about parenting as it is about a boy growing up. All four main actors -- Ethan Hawke, Patricia Arquette, Lorelei Linklater, and Ellar Coltrane -- bring a poignancy and intelligence to their characters. The film follows Patricia Arquette and her two children as she is estranged from her husband (Hawke) although they are both intent on raising the kids. 

    The storyline seems to be somewhat autobiographical for Linklater. It ends, coincidentally, just where Dazed and Confused might begin.

    The interested buzz on the film is coming from my teenage son, Linklater fans, people aware of indie films, and even family members over 80 who occassionaly see films. What does that say? To me it's that this film is going to be around for awhile, maybe into Oscar season. I would like to see it again before that.

    Read the review on RogerEbert.com for a more thorough analysis.

    Wednesday
    Apr242013

    Blancanieves

    At the EbertFest film festival last weekend in Champaign, one of the highlights was Blancanieves -- a fascinating rethinking of the Grimm Brothers' Snow White.  Before the screening, director Pablo Berger told the audience that films were like dreams to him, and nightmares, too.  Berger, who worked on the film for eight years, re-interpreted the famous tale to take place in Spain during the 1920s.  He focused on the parents of Snow White.  The father is a famous bullfighter and the mother is a singer and flamenco dancer.  Their daughter, Snow White, has a rather tragic childhood but emerges triumphant as a bullfighter herself traveling with 6 smaller people she encounters whie escaping her evil step-mother.

    The film was shot in black and white and is silent as well, although the beautiful, moody, original score, by Alfonso de Vilallonga, contributes significantly to the story's success.  During the Q and A afterward, Berger and the panelists discussed how contemporary black-and-white films can capitalize on contemporary audiences' ability to quickly comprehend visual cues and quick editing techniques.  Consequently, Berger puts so much to be 'read' visually on screen that the absence of hearing dialogue does distract in Blancanieves.

    I was so impressed with the film that I quickly wrote to ask Marvels & Tales if I could review it for the fairy tale journal and just learned that that's going to be possible.  So I'll post more on that later.

    Friday
    Mar082013

    On The Wizard of Oz, films new and old and the books

    James Franco as The WizardIs James Franco right for the Wizard in Disney's new film Oz: The Great and Powerful -- that's a question Laura Kennedy asks when she interviews me in a podcast about The Wizard of Oz films and books.  Here's a link to the podcast on WGLT (our local NPR station), which aired Friday, March 8.  You can hear my answer as well as information about the film of the new Oz and my thoughts on political allegories in the original books.

    I also chatted about The Wizard of Oz with Jim Fitzpatrick on WJBC, the Voice of McLean County, two weeks ago.  Jan Susina with The Wizard of Oz bok

    The media interest reflects, I think, that there's a genuine excitement about a new film based on The Wizard of Oz books. So far, the film is getting mixed reviews -- see reviews by Richard Roeper in The Sun-Times (reviewing instead of Roger Ebert) or Mahnola Dargis in The New York Times.  Yet, as Laura Kennedy points out in the podcast, the original MGM film was also somewhat panned by the critics.  But it gained a following through its own technological twist, aired repeatedly at Easter time on TV networks, that Baum would have appreciated.  Those annual telecasts insured that the film was cemented in children's imaginations and subconsciousness.  So whatever the critics think, our family is still going to see the film and be captivated.

    And, I'm looking forward to teaching The Wizard of Oz in my children's literature class this spring.

    File under O-Z.

    Wednesday
    Apr142010

    Why is a raven like a writing desk?

    This confusing riddle is one of the authentic connections Tim Burton's film Alice in Wonderland (2010)The Wonderland Postage-Stamp Case (1890) connects with Lewis Carroll's original Alice's Adventures in Wonderland (1865).  The Mad Hatter asks this riddle in Carroll's book, but Carroll never gave the answer in his original text. 

    However, in the 1896 edition Carroll wrote: "Enquiries have been so often address to me as to whether any answer to the Hatter's riddle can be imagined, that I may as well put on record here what seems to be a fairly appropriate answer, viz. 'Because it can produce a few notes, though they are very flat; and it is nevar put with the wrong end in front!' This, however, is merely an after-thought: the Riddle, as originally invented, hand no answer at all."  In Carroll's explanation, he spells never as 'nevar' as this is the reverse of 'raven,' a type of mirror writing that Carroll was so found of.

    I had wanted to post about this riddle on April 1, but alas I broken a bone in my right foot the week before and am hobbling about everywhere.  Still, it's worth writing about.  Chapter 3 in my book, The Place of Lewis Carroll in Children's Literature, is primarily devoted to the raven conundrum.  British anthropologist Francis Huxley has even devoted an entire book on the problem, The Raven and the Writing Desk (1976).

    Here are a few my thoughts excerpted from my book.

    "As a compulsive creator of riddles and puzzles, it seems almost nonsensical that Carroll would publish a riddle without a solution in Alice's Adventures in Wonderland.... The Mad Hatter's riddle is certainly not like the 'tremendously easy riddles'  (Wonderland, p.182 see below) that Alice A letter Lewis Carroll wrote to a child friend in backward handwriting that had to be read in a mirror. From an exhibit at the University of Illinois libraryposes to Humpty-Dumpty in Looking-Glass. ... Following Alice's procedure - which was to think 'over all she could remember about ravens and writing-desks, which wasn't much' (Wonderland, p. 61), I want to speculate on the possible connection between these two seemingly dissimilar objects and suggest that the solution may very well have to do with Carroll's own letter writing."

    "Ravens have a rich history in folklore.  They are, as the scientist Bernd Heinrich points out in Ravens in Winter (1989) (p. 20), considered to be 'the brains of the birld world.'  In many mythologies, ravens are messengers who have the ability to speak and understand human language.  For example, in Norse mythology, odin, the chief God, kept two ravens perched on his shoulders. .. They were sent out at dawn to gather news from around the world and report back to him...

    "Carroll had a serious interest in Anglo-Saxon language and literature. ... I would argue that the Mad Hatter's The Exeter Bookriddle has a more fitting Anglo-Saxon source in the riddles of The Exeter Book, which is an anthology of ninety Old English riddles and one Latin riddle.  The first systematic attempt to solve all the riddles in The Exeter Book was the series of articles in 1859 and 1865 by Franz Dietrich (which is around the time Wonderland was being created). The characters at the Mad Tea-Party who subsequently reappear as the Anglo-Saxon messengers certainly engage in a sort of riddle contest.   Two of the riddles from The Exeter Book have inkwell or inkhorn as the solution.  Riddle 89 has the inkwell fixed on a wooden table and features a quill made from a raven's feather."

    "The most overt appearance of a letter in Wonderland is when Alice observes the Fish-Footman deliver to the Frog-Footman the invitation from the Duchess to play croquet with the Queen. Odin with Ravens In many ways, this episode embodies Carroll's attitude toward letters and letter-writing, specifically those letter that he wrote to children.  It is significant that the letter is an invitation to play a game because Carroll's letters were essentially a spirited game of wordplay between two partners."

    "Within Carroll's playful approach to language, books and letters became an entertaining game between author and readers -- in which a baby becomes a pig or a raven is like a writing desk.  The stuttering and awkward speaker, Charles Lutwidge Dodgson, retreats to his writing desk, and through the power of letters, is able to transform himself into Lewis Carroll, the clever creator of letters and books.  Significantly, the solution that I propose to the Mad Hatter's riddle also points to solving the vexing riddle of the two divergent personalities of Lewis Carroll, the inventive author of children's books, and Charles Lutwidge Dodgson, the seemingly dull Oxford lecturer of mathematics.  Carroll signed his letters both as "Lewis Carroll" and "Charles Lutwidge Dodgson" and on rare occassions as both.  Most of his letters written to children are signed "Dodgson," rather than "Carroll."  It is in his letters that the two seemingly distinctive aspects of his personality are united."

    The text referenced Wonderland above is Alice's Adventures in Wonderland and Through the Looking-Glass. 1865/1871. Edited with an introduction and notes by Hugh Haughton. New York: Penguin, 1998.  This is the edition I teach from and think is a good standard source of the books.

    Thursday
    Mar042010

    Overview of Alice in Wonderland films in the Pantagraph

    Thanks to Dan Craft at the Pantagraph for interviewing me about some of the many Alice in Tim Burton's Alice in Wonderlandversions of Alice in Wonderland in film. His article "New 'Alice' is the latest trip through the looking glass." appeared in The Pantagraph today (March 4).  He did a great job of taking some raw material and turning into an entertaining article. 

    The sidebar piece about how my parents gave me my first copy of Alice Adventures in Wonderland when I was growing was sweet especially as today is my mother's birthday.  So she made it into the news on her birthday!

    As I noted in the article, Tim Burton's Alice in Wonderland is a darker vision than the original.  It's been marketed to older tweens and teens, particularly girls, which makes sense considering that Alice is 19 in the film.  I don't think the film  is for young children.  The marketing is consistent with that older audience. We haven't seen many ads on Nickeloden or too much on the Disney channel, either.  The reviews are somewhat mixed, although those who like it are very enthusiastic.