On The Wizard of Oz, films new and old and the books

James Franco as The WizardIs James Franco right for the Wizard in Disney's new film Oz: The Great and Powerful -- that's a question Laura Kennedy asks when she interviews me in a podcast about The Wizard of Oz films and books.  Here's a link to the podcast on WGLT (our local NPR station), which aired Friday, March 8.  You can hear my answer as well as information about the film of the new Oz and my thoughts on political allegories in the original books.

I also chatted about The Wizard of Oz with Jim Fitzpatrick on WJBC, the Voice of McLean County, two weeks ago.  Jan Susina with The Wizard of Oz bok

The media interest reflects, I think, that there's a genuine excitement about a new film based on The Wizard of Oz books. So far, the film is getting mixed reviews -- see reviews by Richard Roeper in The Sun-Times (reviewing instead of Roger Ebert) or Mahnola Dargis in The New York Times.  Yet, as Laura Kennedy points out in the podcast, the original MGM film was also somewhat panned by the critics.  But it gained a following through its own technological twist, aired repeatedly at Easter time on TV networks, that Baum would have appreciated.  Those annual telecasts insured that the film was cemented in children's imaginations and subconsciousness.  So whatever the critics think, our family is still going to see the film and be captivated.

And, I'm looking forward to teaching The Wizard of Oz in my children's literature class this spring.

File under O-Z.

Maurice Sendak, brilliant picture book creator, dies

Maurice Sendak — the acclaimed, innovative, and challenging children’s picture book illustrator and writer — Maurice Sendak signing the ""Faithful Nutcracker"" lithograph at Tyler Graphics Ltd., Bedford Village, New York, 1984. Kenneth Tyler Photographerdied Tuesday at 83 in his Connecticut home.  Sendak’s detailed knowledge of book illustration combined with his ability to create beautiful picture books that dealt with difficult subjects for children positioned him as a acclaimed traditionalist who brilliantly broke conventional boundaries of children’s literature.  He is the Randolph Caldecott of American picture books. 

[Since I have posted this, WGLT's Charlie Schlenker posted his interview of me today about Sendak.  Here's a link to that interview where I add to this blog post.]

Sendak distinctly changed children’s literature with his famous trilogy of Where The Wild Things Are (1963), In the Night Kitchen (1970), and Outside Over There (1981).  He said that these books are about the same themes —boredom, fear, frustration, jealousy — and how children manage to come to grips with the realities of their lives.  He was often confronted by adults who found his books “troubling and frightening.” He accused them of wanting to sentimentalize childhood.  Sendak understood that children want to confront their fears and work through them.

Sendak believed that children deserved well-designed, beautiful books.  At the same time, he fearlessly wrote about difficult subject matters.  While parents, critics, and librarians may not have warmed to some of the topics, Sendak’s books were best sellers precisely because the topics they addressed touched a nerve while being stunning works of art. 

Not only was Sendak a brilliant picture book creator, he was also an insightful critic.  His brilliant essays in Caldecott & Co.: Notes on Books and Pictures (1990) ought to be read by anybody interested in children’s literature and picture books.  Sendak had an appreciation and sweep of understanding of both illustration and picture books that informed his work and is evident in these valuable essays.

In 1997, I nominated Sendak to be an Honorary Fellow of the Modern Language Association.  He is the only children’s picture book author to be in the company of authors who were nominated and elected since 1959 including such writers as Gabriel Garcia Marquez, Carlos Fuentes, Toni Morrison, Tom Stoppard, Margaret Atwood, and Seamus Heaney.  While Sendak was unable to attend that year’s MLA, he was courteous and collegial in our correspondence.

Sendak said that

“a picture book is not only what most people think it is, an easy thing to read to small children with a lot of pictures in it.  For me, it is a damned difficult thing to do… very much like a complicated poetic form that requires absolute concentration and control.”

A fitting book to read upon Sendak’s death may be Higgelty Pigglety Pop! or There Must be More to Life (1967), which he later developed into an opera – one of many opera projects that he collaborated on beginning in the 1980s.  Containing some of his best illustrations, the book is about Sendak’s beloved shaggy dog Jennie, a Sealyham Terrier.The Little Bear series is great for early readers. This illustration is from A Kiss for Little Bear with illustrations by Sendak, story by Elsie Holmelund Minarik

To read more about Sendak, I would suggest John Cech’s Angels and Wild Things: The Archetypal Poetics of Maurice Sendak and Amy Sonheim’s Maurice Sendak in the Twayne United States Author Series. The Rosenbach Museum and Library in Philadelphia has Sendak's papers and always celebrates his work with stylish enthusiasm.  Worth visiting if you are in Philadelphia.

And to see perhaps one of the last interviews of Sendak, check out Stephen Colbert’s interviews with him in January 20120 (here's part 2). In this lively interview, Sendak is curmudgeonly, gracious, gregarious, spunky, liberal, gay, free-wheeling, slightly mean, and smart.  "I don't write for children.  I write and somebody says that's for children.  I didn't set out to make children happy," he says.

Yesterday,  I gave my final exam in the ENG 372: Studies of Contemporary Literature for Young People.  Sendak appeared in his illustrations and quotations.  I am sure he would have hated it, but his place in the canon of children’s literature is undeniable.

Here's a link to more materials I have compiled about Sendak, particularly in relation to the book and film Where the Wild Things Are.

Sendak's bookplate

World Read Aloud Day March 9

An interest and the ability to read starts with hearing others read.  According to the organizers of World Read Aloud Day, "Nearly 1 billion people entered the 21st century unable to read a book or sign their name."  Last year, the organizers of World Read Aloud Day had people reading aloud in 35 countries.  Events are scheduled throughout the world.

Many books created for children are great for reading aloud so if you need a particular day to encourage yourself to reading to a child, to a teen or an adult, consider World Read Aloud Day a good reason.  This might be a time to find again a favorite poem, a passage from a chapter book or a picture book.  Or, it might be an impetus to volunteer in classrooms and after school programs that could benefit from an adult reading to children.

March certainly has many days emphasizing reading as well as Women's History Month, Youth Art Month, Mardi Gras, Lent, St. Patrick's Day, ComicCon in Chicago, the Ides of March, and, of course, the hopefulness of the beginning of spring.

Review Cech's great book on Weston Woods' history now on Project Muse

John Cech's new book Imagination and Innovation: The Story of Weston Woods is a particularly interesting history of this ground-breaking film company known for its amazing adapatations of children's literature.  My review of his book is now available in the Children's Literature Association Quarterly section on Project Muse.  If you want a print copy, it's in Volume 36, Number 1, Spring 2011, pp. 115-117.  I think this book is well worth reading for children's literature scholars, librarians, film scholars, and all of us who remember watching these films in school and on television.

Review of Place of Lewis Carroll in Children's Literature

Just wanted to mention that I have made a .pdf of Dorothy Clark's review of my book, The Place of Lewis Carroll in Children's Literature.  I appreciate her positive review in The Lion and the Unicorn. She writes, "The opportunity to learn more--to be startled by facts and surprising pieces of information and perception--is exactly what Susina provides in this capacious, remarkable book that has broad appeal to nonacademics, scholars, and Carroll specialists. It is a text that generates delight, enthusiasm, and wonder."  Here's a link to the .pdf.