Children's Lit does well with Academy Awards ... or were kids and films misunderstood?

Martin's Scorsese's film interpretation of Brian Selznick's award-winning graphic novel The Invention of Hugo Martin Scorsese shows Brian Selznick's book to young cast members while filming Hugo.Cabret received five Academy Awards last night.  Pretty impressive.  Not the big picture of the year award -- that went to The Artist. But both films received the same number of awards.  Actually, Hugo was nominated for 11 awards, the most of any film this year. Curiously, too, both The Artist and Hugo are somewhat wistful film meditations on early cinema.

We were glad to read on School Library Journal that Brian Selznick was in the audience at the (former) Kodak Theater.

"Being on the red carpet, being in the room live as the telecast was underway, hearing the name Hugo called five times..., all of it was an experience I will never forget," Selznick told SLJ. "[I]t was really fun to introduce myself to famous people by saying I wrote the book that inspired Hugo and having them throw their arms around me, thank me for the story, and tell me they've seen the movie more than once... and some of them had even read the book and loved it too!"

In addition, the award for best animated short film  went to William Joyce and Brandon Oldenburg's The A still from The Fantastic Flying Books of Mr Morris LessmoreFantastic Flying Books of Mr. Morris Lessmore. Here's a link to the 15 minute YouTube video. It's also cool that the film was created by a Moonbot, a Shreveport, Louisiana, studio.  Good to see animation developed in the U.S. and from a studio in the south. It is also available as an Apple app.

The animated film is "a poignant, potent ode to books," according to the Kirkus Review, which seems ironic to incapsulize in an iPhone app.

William Joyce is another imaginative children's picture book author as well as an Emmy-winning television creator of Rolie-Polie Olie and George Shrinks. Disney's 2007 animated film Meet the Robinsons is based on Joyce's book A Day with Wilbur Robinson.

On the other hand...

As YPulse points out today, last night's Academy Award program was not particularly welcoming to tweens or teens.  It began with Billy Crystal putting on Justin Bieber for the "18 - 24 crowd" when, in reality, his core fan base is more 12 - 16 year olds, and primarily girls, too.

Oddly, only two songs were nominated for best song in an era when songs within films, and television shows, are important landmarks to creating a film's environment and atmosphere.  But neither song was performed live.  Why not?  "Man or a Muppet" is such a catchy tune, in an odd way, that even Terri Gross, interviewer of NPR program "Fresh Air," admits she likes it. 

Perhaps Justin Beiber could have performed "Man or a Muppet."  That might have excited Martin Scorsese's daughter, who was sitting next to him during the awards ceremony and looking a bit bored for most of the night.  Or, Why not have Oscar the Grouch present an Oscar?

The final Harry Potter and the Deathly Hallows - Part 2 was nominated for three Academy Awards, but did not receive a statue in any of them.  Huffington Post's high school blogger Marissa Piazolla understands Harry Potter fan's sadness when the final film failed to recieve an Oscar this time.  In the categories that Harry Potter was running against Hugo, I actually thought Harry Potter had the better achievement.

On a final note, did you watch closely the preview for The Hunger Games?  Didn't it look like the older sister Catnis is giving the Mockingjay pin to her younger sister Prim before the reaping?  But in the book, Catnis receives the pin from the mayor's daughter when Catnis is about to go off to the reaping.  Catnis isn't familiar with the importance of the Mockingjay pin at that point.  Clearly there are changes afoot.

But we're still going to see the film when it opens.

Anticipating Scorsese's Hugo

Trailers for Hugo suggest the film has great possibilities for being a wonderful holiday family filmHugo (Asa Butterfield) and Isabelle (Chloë Moretz) in Hugo (2011)..  When I first heard about the film, I thought it a little unusual that Martin Scorsese would be directing Hugo and filming it in 3-D.  The book is a visual treat.  It  was the first chapter book and graphic novel to receive the Caldecott Award.  Yet, the idea of turning it into a film seemed charming, but worrisome.  Chris Van Allsberg's holiday picturebook The Polar Express became rather creepy in the film version that used high tech animation that made the characters seem less like people and more like robots.  Many teachers like this book, and film, because, perhaps, it allows them to talk about the Christmas holiday in the classroom without bringing in Christianity but still bringing in the related ethics.  On the opposite end of the religious spectrum, The Golden Compass film of 2007 based on the first book in Philip Pullman's His Dark Materials series has a haunting, dark world that is not at satisfying as the way it's described in the books. 

Ben Kingsley in Hugo.So, we'll see about how Hugo does.  The early reviews from the New York Film Festival in October are positive; looks like the film appeals to adults as well as kids. Scorsese's interview with The New York Times suggests that turning the book into a film had to be appealing for him on several levels, including the opportunity to re-create George Méliès’s glass studio. Scorsese said, "We started replicating scenes from Méliès films as best we could. ...With Méliès’s films, especially the hand-colored ones, it’s like illuminated manuscripts come alive. We shot Méliès shooting his films for five or six days. It was one of the best times I’ve had shooting a picture."

I do think that this is probably going to be a film for children 8 and up and very appealing to tweens.  The complicated storyline is not one that young children may be able to easily follow.

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Fairy Tales re-imagined on TV and in books

Mix up traditional fairy tale characters such as Snow White, Prince Charming and Rumplestilskin with literary fairy tale characters such as Pinnochio, the Blue Fairy and perhaps someone from Alice's Adventures in Wonderland with a dose of contemporary fantasy and modern sensibility.  One result is a new television series on Sunday nights on ABC, Once Upon a Time.  This show is for families and fantasy fans while on the darker, flip side fairy tales get the law-and-order, violent treatment with Grimm beginning this Friday night on NBC.

Once Upon a Time intends to draw in readers of Harry Potter as well as the many YA, middle-school and adult books, such as Brandon Mull's Fablehaven series, E. J. Patten's new Return to Exile series, Gail Carson Levine's Ella Enchanted and her subsequent princess books, Shannon Hale's The Princess Academy series, Cressida Cowell's How to Train a Dragon series, the Eoin Colfer's Artemis Fowl series in chapter book and graphic novels, etc.  Combining fairy tales with fantasy and contemporary realism has become a popular story well to mine, accompanied by the elves and dwarves who know the way through the tunnels.Ginnifer Goodwin as Snow White/Sister Mary Margaret

Once Upon a Time stars Ginnifer Goodwin as Snow White and Josh Dallas as Prince Charming who are cursed by a wicked witch played by Lana Parrilla.  The witch's curse seems to be that the characters are transformed into the creepy world of 21st century Storybrook, Maine.

Not that long ago some book publishers, librarians, and adults directing children to books decided that kids did not want to read fairy tales or fantasy.  J.K. Rowlings opened up the floodgates by proving them wrong.  Kids enjoy the excitement, dark turns with usually happy endings, romance, and swashbuckling adventures in these kids of books.  So, it seems that it's about time that television has figured out that a series that interweaves these kinds of tales while still having a PG sensibility might work. 

Obviously, I've just seen one episode and the series is laying the groundwork for the complicated material that is bound to come later.  I do want to point out that there is a significant difference between  traditional fairy tales that the Grimms and others collected and literary fairy tales created by one author, such as Lewis Carroll or L. Frank Baum.  It's just a little unsettling to see the two mixed up so freely here.Josh Dallas as Prince Charming in Once Upon a Time

It's not surprising that Once Upon a Time has roots in the mysterious series Lost; two of that series writers – Adam Horowitz and Edward Kitsis -- are the creators of this show.  They also worked on the tightly crafted Felicity.

"We love the mish-mash,” Kitsis told the Hollywood Reporter last summer about scenes in which Geppetto interacts with Grumpy, etc. Maybe so, but the mish-mash may become a little confusing as viewers make the connection between fairy tale time and contemporary times.  For instance, Snow White becomes the beloved teacher Sister Mary Margaret in Storybrook.  Or remembering Rumplestilskin from the Shrek films and then from fairy tales and then trying to remember exactly why he was bad.

Maybe there's a need for a fairy tale quick guide. 

Mary Blair exhibit at Disneyland & Matisse influences

Mary Blair's amazing artwork for Disney is the topic of the  Academy of Motion Picture Arts and Sciences' 17th Marc Davis Celebration of Animation lecture tomorrow night.  Looks like a fun, interesting panel the creators from Disney and Pixar who've worked on Toy Story 3, Monsters, Inc., Aladdin, Up, Pocahontas and more. Of course, the panel is already sold out, but it would be great to be a fly on the wall.

I'm fascinated by Blair's work. I included a chapter in my recent book, The Place of Lewis Carroll in Children's Literature, about the re-working of Alice in Wonderland by Jon Scieszka using the art that Blair created for Disney as an inspiration for his animated film.  Not the best Alice adaptation because Scieszka doesn't bring his usual humor and confidence to Blair's dark and stylized work.

When we were in Disneyland during the summer, we were able to see an exhibit on Mary Blair's work.  I thought that the panel talk would be a good opportunity to post some of the photos from that exhibit.  The exhibit was near the entryway to Disneyland in the area on Main Street devoted to the history of Walt Disney and the theme park.  It's one of my favorite sections because the older Disneyland is the one that seeped into my imagination while watching the Sunday night Disney television and The Mickey Mouse Club.

Looking at the photos again, which are obviously not perfect photos, reminds me how much Mary Blair was inspired by Henri Matisse cutouts.

Matisse's La Tristesse du roi (Sorrows of the King), 1952Matisse is noted as saying "To look all life long with the eyes of a child."

Anfitrite, 1947The Eschimo , 1947

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Weetzie Bat film?

Weetzie Bat, the imaginative adolescent book about creative kids in LA by Fransceca Lia Block, reads like a film script.  So it's exciting that there's a possibility it will finally become a film.  While teaching Block's book in Adolescent Literature, I found several Internet sources about the production.

In September 2010 actors, including Chelsea Staub and Corbin Bernsen, read the Script for Weetzie Bat and the Dangerous Angel in bookstore with Block.  Part 1  Part 2 Part 3  YT videos about 11 min each 

The film has potential for success given the popularity of similar type films for adolescents, especially based on the success of the Stephenie Meyers' Twilight series and Tim Burton's Alice in Wonderland. Weetzie Bat, however, is a more poetic, slightly more surreal and perhaps more controversial.  Those ingredients have the potential for a big hit if marketed right to teenage girls.

Here is a short video based on film outtakes.  5 min

Production and Design photos for film 

Block's notes on scriptwriting

Link to Brian Gaskill's web page.  He is directing the film.

Here's the cast list, with links to their IMDB pages.

Weetzie Bat - Chelsea Staub

  

Charlie Bat (Weetzie's dad) - Corbin Bernsen

Brandy-Lynn (Weetzie's mom)  - Shannon Sturges

Dirk (Weetzie's best friend, who is gay) - Brant Daugherty

Grandma Fifi (Dirk's grandmother) - EG Daily  
She will also be reading several other characters as well as singing. 

Valentine - Dwight Ewell
He will also be reading several other characters.

Max/secret agent lover man  - Aaron Ashmore

Vixxanne - Crystal Mantecon

Buzz Cut - Jason Seitz
He will also be reading several the character of Bam Bam, Duck's friend.

Duck (surfer) - Kurt Collins